Sinopsis: "This project proposes the collaborative creation and production and dissemination of multi-sited physical-virtual trans-disciplinary networked performances and participatory environments. Envisioning an integrated reality in the mingling of subjects, arts, cultures, and data we will work towards converging physical and virtual bodies and environments in multi-participant cross-modal creative interactions. The project wishes to develop in collaboration with PINC partners GMEA, blinc, and Share, involving their local/regional culture and their artistic-technological trans-disciplinary approaches. (...)"

(Ph.D. Isabel Valverde, 2012)

Abstract: "In the skin that is external and self-torn, the professional drill and controls the blood flood, she cut down and admire it; so if ultra permeates the border I-proofing the world and self-other boundary. The CF output in the Russian roulette of life and death, where they dominate the substances swallow, swallow pills, introducing products, fluid extract, as opposed to the option of dropping screams in drops of blood to mark the revolt of guilt and apology without naming the pain of body and affection."

(Ph.D Fátima Feliciano, 2010)

Abstract: "Images striking mimicry a reality where the silent suffering dominates and surprising in their expressions of self-directed aggression, which reaches its climax in the suicide situation materialized. Transverse sections of the film approaches that merge real and fictional stories centered on self-aggression by female figures where art in its creative action forms, color and sound to pain (in) suspected. Faces that despite the limitations inherent in the cinematic arts, reproduce realities that live near us and that the objectivity of numbers reflecting the order will still dim but sensitizer for the immensity that it represents."

(Ph.D Fátima Feliciano, 2010)

Sinopsis: "How often are people characterized as weather? She is a cold woman. He is such a hot guy. What if you found a moody or sensitive environment? An environment turning red as your embarrassment with a stranger near you? An environment enacting human interaction? The project Weathering In expands on this corporeal metaphor, aiming to develop an immersive performative environment where people are invited to interact playfully with one another and with an intelligent place. Reflecting politically in the real- time engagement with physical, physiological and spatio-temporal dynamic corporeal relationships, multiple connections are established amongst participants’ behavior/data and with the climatic conditions, audio-visual geographical and cultural specificities. (…)"

(Ph.D. Isabel Valverde, 2009)

Sinopsis: "Moody Waters is a project of the Participatory Environment and represents the top part of the wider project Under the Weather. Develops the concept of swapping between space and dynamic body and the more internal space it inhabits and lives. Developing a system to interface with biofeedback sensors and actuators with a combination of physical devices that already exist." (aguarda aprobación)

(Ph.D. Isabel Valverde, 2008)

Sinopsis: "Real Virtual Games (RJV) incorporates dance / performance and media arts in a cross disciplinary collaboration. In a hybrid architecture, the physical and virtual spaces interact with seushabitantes, performers and audience, and live as avatars. RJV discusses the environments of video games and virtual spaces of sociability, such as Second Life, its physical interfaces (by using virtual reality goggles, motion capture, Wii controller, and webcam) and relations with decorporalization. In this hybrid choreographic creation, live and virtual characters interact to take modes of communication. Movement - both physical and virtual - imagery and sound effects affect each other through computer interaction systems. This interactivity between physical movement and models of mediation and virtual representation: avatars, part of the idea of moving the virtual space (video game / 3D animation) to the physical space and vice versa (via motion capture). RJV lies in thinking about the body in relation to digital technologies, particularly adherence to video games, models and immersive real-time communication on the Internet."

(Ph.D. Isabel Valverde, 2008)

Sinopsis: "Forceful Images mimetic a reality where the quiet suffering dominates and in it surprises them in its manifestation of auto-directed aggression, which reaches its height in the situation of materialize suicide. Transversal cuts of cinematographic boarding’s, where reality and fiction stories, meeting in the auto-aggressions of feminine figures where the art in its creative share of the form, color and sound pains (in) suspected. Faces that, although the inherent limitation to the cinematographic art, reproduces realities that live next to us."

(Ph.D Fátima Feliciano, 2006)